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Samurai Swordsmanship: The Batto, Kenjutsu, and Tameshigiri of Eishin-Ryu, by Carl E. Long, Masayuki Shimabukuro
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Describing the principles and techniques that define Japan’s most popular style of swordsmanship, this martial arts manual gives practitioners master-level instruction. This book is a collection of the most effective and proven fighting methods spanning from the feudal to the modern eras. It illuminates the art with masterful photography and is accompanied by in-depth descriptions of the methods perfected by Japan’s ancient warrior class. Providing instruction on the etiquette, fundamental footwork, striking, countering, defensive tactics, test cutting, maintenance, and safety needed for proficiency in authentic swordsmanship, this expert guide transports martial arts practitioners beyond mere physical technique and opens the door to self-mastery through the use of the samurai sword.
- Sales Rank: #286661 in Books
- Published on: 2011-05-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .40" w x 8.50" l, 1.45 pounds
- Binding: Paperback
- 250 pages
About the Author
Carl E. Long has trained in the arts of karate, Japanese shito-ryu, Okinawan kobudo, shindo muso ryu jojutsu, and iaido—the art of samurai swordsmanship. As the vice chairman and director for the Jikishin-Kai International, he is responsible for the training and certification of the instructors and schools throughout the United States, Canada, Central America, South America, and Europe. He lives in Kingston, Pennsylvania. Masayuki Shimabukuro has trained in the arts of judo, karate, Okinawan kobudo, Japanese shito-ryu, and iaido. He is the international director for the Nippon Kobudo Jikishin-kai martial arts organization and represents authentic Eishin-Ryu samurai swordsmanship worldwide. He holds the title of hanshi—the highest recognition in traditional Japanese martial arts—and has been named Black Belt magazine’s Weapons Instructor of the Year. He is the author of Flashing Steel and Living Karate. He lives in San Diego.
Most helpful customer reviews
23 of 24 people found the following review helpful.
Samurai Swordsmanship
By Christopher Bergman
An old adage goes you can't judge a book by its cover. However, you can always tell something about an author by its content. There can be no doubt that Samurai Swordsmanship by Masayuki Shimabukuro and Carl E. Long stands in a class of its own. For those fortunate enough to study with Long Kyoshi, his wisdom and superior technical competence shine through these pages in a clear reflection of teaching he, in turn, received from Masayuki Shimabukuro Hanshi, the 21st soshihan of the Masaoka line of Eishin-ryu.
Complimenting the Black Belt DVD series entitled, "Samurai Swordsmanship," this volume extends the discussion of Eishin-ryu Battojutsu, which began with the seminal work Flashing Steel by Shimabukuro Hanshi and Leonard J. Pellman, into the realms of Batto, Kenjutsu, and Tameshigiri. But it does more than that. The strengths of this well-organized book, and what sets it apart from many similar works on the same topic, are its holistic and philosophical approach along with an absolute insistence on Kihon (fundamentals) for training in swordsmanship.
An indication of how seriously the authors take the concept of Kihon is evidenced by the fact that they concentrate upon fundamentals for nearly one-half of the book. Students of Battojutsu will find especially helpful the photographs of both correct and incorrect technique. As beginners, the latter are common to all of us and, as is usually the case, we learn best from our mistakes. The second half of the book starts with the offensive and defensive application of these fundamental principles focusing upon target areas, as well as their necessary defensive response in a variety of blocks. The practical use of both offensive and defensive technique is then further developed in a presentation of Batto-Ho and Kumitachi (paired fencing) drills. The description and illustration of the Batto-Ho Waza is a welcome new addition to the literature on the Eishin-ryu system, thus completing the curriculum established in Flashing Steel.
As the authors comment, "Tameshigiri or suemonogiri are a popular and enjoyable component of the practice of traditional Japanese sword arts" and certainly no study is complete without covering the topic of cutting. Aside from being exhilarating, the authors also point out the spiritual nature of this practice, focusing a sense of presence, awareness, and reverence. Correct cutting technique, relying upon an alignment of both mind and body, would not be possible without a thorough understanding of the fundamentals. And thus, like an Enso, the book comes full circle.
Long Kyoshi once commented to me, "It is not possible to learn Iaido from a book." I certainly agree with his wisdom, but respectfully counter that this book comes close to doing just that. One closing word of advice to the reader, do not just look at the pictures, read the text, it is clear, concise, and a real treasure.
13 of 13 people found the following review helpful.
A great tribute
By culdee
I am just getting started in this book and had to take a breather. The authors have performed a great service to their Art and kenjutsu. I have only met Long sensei once but his technical skill and artistry are beyond question. The philosophy section is not only well written but it is necessary for the beginning, and even some more senior, students to absorb and apply in their practice. The photographoc images and technical descriptions are excellent. I am very pleased with this book and think it is a great tribute to their dedication and the ancestors of the Eishin Ryu system. If you are a fan of or a student of Iaido, Batto, or kenjutsu then buy this book!
13 of 18 people found the following review helpful.
Good Content but Flimsy Book - Misrepresented in the Preview
By Thomas Raven
I haven't had time to go through all the content of this book as I just received it. The authors' pedigrees speak for themselves so I imagine all of the content to be just as great as the chapters I've read. My problem isn't so much with the content as is is with the way that content is represented here on Amazon. The LOOK INSIDE preview shows all-color photos, yet the book only has black and white pics. What's the big deal, you ask? The big deal is that the form factor for this dictates that full color spreads be printed on much better paper than what was used. These pages would barely qualify as magazine pages. The paper is of very poor quality and that's a huge issue for a book that I plan to spend a lot of time with. This book would never hold up to day to day use. It's a real shame the publisher didn't see fit to create a product whose physical qualities live up to the quality of the contents.
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